Another Lullaby for Insomniacs
By A. E. Stallings
Sleep, she will not linger:
With no ring on her finger,
You cannot hope to hold her.
She turns her moon-cold shoulder
And tosses off the cover.
You cannot hope to hold her:
She has another lover.
She tosses off the cover
And lays the darkness bare.
She has another lover.
Her heart is otherwhere.
She lays the darkness bare.
You slowly realize
Her heart is otherwhere.
There's distance in her eyes.
You slowly realize
That she will never linger,
With distance in her eyes
And no ring on her finger.
Ultrasound
by A. E. Stallings
 |
Brain, soul, or both—
Unfurls here, pallid
As a moth?
(Listen, here's
Another ticker,
Counting under
Mine, and quicker.)
In this cave
What flickers fall,
Adumbrated
On the wall?
Spine like beads
Strung on a wire,
Abacus
Of our desire,
Moon-face where
Two shadows rhyme,
Two moving hands
That tell the time.
I am the room
The future owns,
The darkness where
It grows its bones.
The Mother’s Loathing of Balloons
by A. E. Stallings
I hate you,
How the children plead
At first sight—
I want, I need,
I hate how nearly
Always I
At first say no,
 |
(Soon, soon
They will grow bored
Clutching your
Umbilical cord)—
Over the moon,
Lighter-than-air,
Should you come home,
They’d cease to care—
Who tugs you through
The front door
On a leash, won’t want you
Anymore
And will forget you
On the ceiling—
Admittedly,
A giddy feeling—
Later to find you,
Puckered, small,
Crouching low
Against the wall.
O thin-of-skin
And fit to burst,
You break for her
Who wants you worst.
Your forebear was
The sack of the winds,
The boon that gives
And then rescinds,
Containing nothing
But the force
That blows everyone
Off course.
Once possessed,
Your one chore done,
You float like happiness
To the sun,
Untethered afternoon,
Unkind,
Marooning all
You’ve left behind:
Their tinfoil tears,
Their plastic cries,
Their wheedling
And moot goodbyes,
You shrug them off—
You do not heed—
O loose bloom
With no root
No seed.
A. E. (Alicia) Stallings is a poet who writes some of the most exciting lyric poetry today. She rides the rules in an original way, finding a very modern music in traditional verse forms. The MacArthur Foundation recognized her in this way:
A. E. Stallings received an A.B. (1990) from the University of Georgia and an M.St. (1992) from the University of Oxford. Her additional works include the poetry collection Archaic Smile (1999) and poems and essays in such publications as Poetry, the Atlantic Monthly, the Hudson Review, and the Yale Review. She makes her home in Greece with her husband and two children and also serves as director of the poetry program at the Athens Centre in Athens, Greece.A.E. Stallings is a poet and translator mining the classical world and traditional poetic techniques to craft works that evoke startling insights about contemporary life. In both her original poetry and translations, Stallings exhibits a mastery of highly structured forms (such as sonnets, couplets, quatrains, and sapphics) and consummate skill in creating new combinations of meter, rhyme, and syntax into distinctive, emotionally compelling verse. Trained in classical Latin and Greek and currently living in Athens, she brings a wide knowledge of Greco-Roman literature, art, and mythology to bear on her imaginative explorations of contemporary circumstances and concerns. (More here.)
A.E. Stallings
Another Lullaby for Insomniacs appeared in Poetry Magazine in 2004, and had been previously collected in both Archaic Smile : poems, selected by Dana Gioia for the Richard Wilbur Award and published by University of Evansville Press, 1999 and again in Hapax: poems, published by Triquarterly Books/Northwestern University Press, 2006. Ultrasound appeared originally in Archaic Smile : poems, and can be found also in 32 Poems. 
A Mother's Loathing of Balloons was originally published in Poetry in 2009 and will be collected in upcoming Olives: poems, to be published by Triquarterly Books/Northwestern University Press, 2012.There is an insightful overview of her career in The Mezzo Cammin, Woman Poets Timeline Project. Recently she joined Jeffrey Brown on the PBS Newshour for a conversation following her being named a 2011 MacArthur fellow. Enjoy ~
(Poetry reprinted by permission)
Images ~
- Moon of La Bohémienne Endormie by Henri Rousseau, 1897, photographed by Jaye Freyer at the Museum of Modern Art, 2010.
- Detail of Cave Art Hands - from Cueva de las Manos, Argentina
- Calder-esque Mobile from Joanie Bernstein's blog, September 2008.
