Showing posts with label poetic days. Show all posts
Showing posts with label poetic days. Show all posts
Monday, July 30, 2012
Betty Kituyi gives birth to yet another poem
I want you to know how happy I am with my little poem, Falling, having taken the third position in this years’ Beverley Nambozo Poetry Award! The prizes were great thanks to our sponsors! Birds at Queen Elizabeth National Park, photo by BNN, 2009 The evening of 29th June 2012 when I read my poem to the guests at the poetry evening, I felt like giving birth to it. The message in the poem coincided with the pain of loss of my village mates in Bududa village who had been buried by landslides. At that moment, my poem carried hope for me and for my people and that meant so much to me. My people needed to hear those words ‘ I am learning from the weeping clouds that falling isn’t dying.’ Maybe there is meaning to this death in my village. May be death is not an end. I keep thinking. Since the award, my poem has been shown off to friends, family and organisations and it feels like sharing a new precious baby to the world: My friend Theresa Wolfwood from Canada says it is a powerful poem with no word out of place. Sumeet Glover a UK based poet and a friend to Terry, wrote a lovely commentary about the poem and wants to feature it on his website: www. global poetry.com These are his words: “ yes, I do remember this poem, and it was very much on my mind to reply to that email of yours from few weeks back. I was yet to spend time reflecting on this poem, but on the top of my head, I believe it's a beautiful poem. It is a celebration of feminism and it talks of the freedom every woman deserves, especially in Eastern and African societies where gender roles are strictly restricted. After reading this poem a few times, I thought "only if every woman had this sense of inner and outer freedom to just be whoever she wants to be". So yes, it contains a very powerful message for male-dominated and bigoted societies. On the other hand, it contains a very feminine and engaging sense of hope for other women to let themselves out, to breathe free, to let the rain fall, to get drenched in its waters and to walk home. The essence of this poem is a fearless 'awakening' to a woman's freedom. If there was a choice, this poem could also be renamed "fearless". Only if every woman had this freedom! That is my final thought, especially after I recently heard of my cousin sister in Delhi. Her husband has now turned slightly "kind" to give her "permission" to see her mom once in 4 months. Anyway, she has a choice she doesn't want to take. So "Falling" has an important place to let the fears and terror of women to fall away. I went to the Southbank Centre on Friday last week, and attended "African Utopia" debate. There was a panel of journalists of African descent debating how the West is so ignorant about Africa and how only about 20 or 30% of African population has access to Internet. Therefore, I wanted to ask you, if Betty may be interested in having this poem published on Global Poetry site? (the copyrights remain with the authors, GP doesn't hold any copyrights to others' works) I believe this will be a very important voice for African women, and women in general.’ FEMRITE used falling as a table tent that was marketed in restaurants, hotels, bars schools to promote the literally week of activities from 9th – 13th July 2012. Beatrice Lamwaka and Barbra Oketta used it with students of Jane Francis Secondary school in Masaka during their school visit where it was discussed and recited on 28th July 2012. My friend Cathy, a professor of literature at a university in Kuwait has promised to share the poem with her students! For a small poem that began at a kitchen sink to travel these vast distances and find use and meaning to different people in a small period of time, is quite a profound experience for me! It is like a mother watching her child grow and accomplish his dreams. I am extremely delighted and encouraged by the BN Award. Thank you so much for giving a forum for the inner voices of Ugandan women to be heard! Congratulations Beverley for this great effort!
Tuesday, May 8, 2012
Poem in honour of Ms. Cox , long serving Gayaza High School H.M
For Miss Cox; Following the breadcrumbs of your loyalty (read by Beverley Nambozo Nsengiyunva: Gayaza 1991 - 1994) We followed the breadcrumbs of your loyalty, from England Where stories of your generous heart filled the empty baskets Being held by girls, all the way to Uganda. We followed your breadcrumbs when we lost our way, wandering Into traps laid by the enemies of education. We held onto your wisdom When we almost drowned in the hypocrisy of humanity. You gave us a song when singing was all we had left. You showed us how to run when our feet were dressed in pain. You led us to believe when faith was never the same. Frail yet strong our hope became truth, Now we are women. Now we can say, Thank you Asante Afoyo. Beverley Nambozo Nsengiyunva Read during the funeral service of Ms. Cox at Namirembe Cathedral Kampala, Uganda, May 2012
Sunday, April 22, 2012
when poetry 'kicks' you in the butt
Poetry has done nothing but make me broke. Since I am not Jesus, I expected something more than just an eternal reward of fulfillment and joy. I gave up everything 3 years ago to become a poet and help other poets get there too and what has happened? I am penniless.
Looking for answers...
I gave up good jobs, offers were thrown at me and I said no for the sake of a higher calling of poetry. Like the 12 Apostles, there are few of us in Uganda who have done this and we are all broke. Well, at least they have other jobs but me, I fundraise to people who say they appreciate art but they will not turn their wallets inside out for the cause.
I know, like KJ Kennedy said, in The Writers’ Handbook that it is not worth thirsting for poetic fame and John Keats also mentioned that the true gift is when you write without expecting a reward but since I am not Jesus, I need something more than that eternal gratification.
At this point, I have written the first page of my reflective journal of my Masters’. I needed to get that initial fright out of the way. I decided that since I am the Creator of the poetry, then I am also the Conqueror. Having read some past portfolios and essays from Lancaster University like Bill Greenwell’s and Geraldine’s journals, the best way t get it done is to write. We all want to write the first draft of a line in its most brilliant form but this hardly the case, it’s all about drafting and redrafting. Oh, and we also need to read as well. I think poets are the most resistant to learning and reading.
Sara Maitland says, “But writers need to read not just – not just to understand genre and form or to develop narrative strategies but in order to enrich their language and extend their knowledge and sensibility.”
So, during this phase when poetry is kicking me where it hurts most, I am reading and reading hard. The avant-garde poets, some of Africa’s most celebrated poets, I am reading about poetry and writing , interviews, articles and essays and it is all coming together now. As a starting writer, I felt poof, who needs to read poetry, it is all about my feelings and no one can or should write about how I feel but of course it is much more I have passed the stage of a first date to a settled down relationship with poetry, the point of marriage when I want a divorce, and then I remember why I feel in love and realize it’s worth sticking to.
This week Graham Mort is in Kampala doing a series of workshops and also conducting interviews to identify reasons why Ugandan books are not on the syllabus. I wish him the best because Uganda, while very receptive is also very slow in giving answers and solutions and then acting upon them because it is the same problem Graham found when he was here in 2001.
That is one of the reasons why I feel poetry is just kicking me in the butt. I don’t want a Nobel prize but I want to know it is not a fruitless journey. I may now have to go the way of those that play it ‘safe’ and apply for a job. Dear Poetry, I hope you’re listening.
Looking for answers...
I gave up good jobs, offers were thrown at me and I said no for the sake of a higher calling of poetry. Like the 12 Apostles, there are few of us in Uganda who have done this and we are all broke. Well, at least they have other jobs but me, I fundraise to people who say they appreciate art but they will not turn their wallets inside out for the cause.
I know, like KJ Kennedy said, in The Writers’ Handbook that it is not worth thirsting for poetic fame and John Keats also mentioned that the true gift is when you write without expecting a reward but since I am not Jesus, I need something more than that eternal gratification.
At this point, I have written the first page of my reflective journal of my Masters’. I needed to get that initial fright out of the way. I decided that since I am the Creator of the poetry, then I am also the Conqueror. Having read some past portfolios and essays from Lancaster University like Bill Greenwell’s and Geraldine’s journals, the best way t get it done is to write. We all want to write the first draft of a line in its most brilliant form but this hardly the case, it’s all about drafting and redrafting. Oh, and we also need to read as well. I think poets are the most resistant to learning and reading.
Sara Maitland says, “But writers need to read not just – not just to understand genre and form or to develop narrative strategies but in order to enrich their language and extend their knowledge and sensibility.”
So, during this phase when poetry is kicking me where it hurts most, I am reading and reading hard. The avant-garde poets, some of Africa’s most celebrated poets, I am reading about poetry and writing , interviews, articles and essays and it is all coming together now. As a starting writer, I felt poof, who needs to read poetry, it is all about my feelings and no one can or should write about how I feel but of course it is much more I have passed the stage of a first date to a settled down relationship with poetry, the point of marriage when I want a divorce, and then I remember why I feel in love and realize it’s worth sticking to.
This week Graham Mort is in Kampala doing a series of workshops and also conducting interviews to identify reasons why Ugandan books are not on the syllabus. I wish him the best because Uganda, while very receptive is also very slow in giving answers and solutions and then acting upon them because it is the same problem Graham found when he was here in 2001.
That is one of the reasons why I feel poetry is just kicking me in the butt. I don’t want a Nobel prize but I want to know it is not a fruitless journey. I may now have to go the way of those that play it ‘safe’ and apply for a job. Dear Poetry, I hope you’re listening.
Thursday, March 1, 2012
Poetry during Black History Month
Yesterday 29th Feb, we poets met at Makerere University College of Engineering, Art and Design Technology in celebration of Black History Month. Thanks to FEMRITE, US Mission to Uganda and Makerere University. Programme packed with many rock stars in poetry, some veteran others fairly new. Like, hey! Professor Timothy Wangusa, still able to knock us off our feet with his poem Africanology.
1 Consequent upon the Extraordinary Colloquim
Of All-Africa Think Tank of Academic Associations
Concluded this historic day in the city of Abuja-
He has a magnetic field around him that makes poets listen in awe. Then someone I had never met before, Peninah Ninsiima, read Maya Angelou’s Phenomenal Woman, well done Peninah, you were indeed phenomenal. Jason nailed Margaret Walker’s For My People. Susan Kerunen, together with her brother giving us an Alur delight of music and of course never to disappoint, Dr. Susan Kiguli. I recited one of my new ones as well called Ssebo Gwe Wange! Which means Sir, you are mine, in Luganda. It is a Ugandan love poem. My tutor at Lancaster is all about me writing Luagnda phrases in my poetry so why not?
Some of the people who love poetry.
Poetry is different. It is special. It is so internal that you can’t be left the same even if you wanted. Poets would make the best preachers, the best doctors and best therapists because they are discerning and deep. I love being with poets, especially when they are good. It is like the aroma of the clouds when it is just about to rain.
1 Consequent upon the Extraordinary Colloquim
Of All-Africa Think Tank of Academic Associations
Concluded this historic day in the city of Abuja-
He has a magnetic field around him that makes poets listen in awe. Then someone I had never met before, Peninah Ninsiima, read Maya Angelou’s Phenomenal Woman, well done Peninah, you were indeed phenomenal. Jason nailed Margaret Walker’s For My People. Susan Kerunen, together with her brother giving us an Alur delight of music and of course never to disappoint, Dr. Susan Kiguli. I recited one of my new ones as well called Ssebo Gwe Wange! Which means Sir, you are mine, in Luganda. It is a Ugandan love poem. My tutor at Lancaster is all about me writing Luagnda phrases in my poetry so why not?
Some of the people who love poetry.
Poetry is different. It is special. It is so internal that you can’t be left the same even if you wanted. Poets would make the best preachers, the best doctors and best therapists because they are discerning and deep. I love being with poets, especially when they are good. It is like the aroma of the clouds when it is just about to rain.
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